{"id":48,"date":"2025-04-09T16:02:41","date_gmt":"2025-04-09T16:02:41","guid":{"rendered":"https:\/\/likapk.com\/?p=48"},"modified":"2025-04-09T16:02:43","modified_gmt":"2025-04-09T16:02:43","slug":"post-human-aesthetics-designing-beauty-for-non-human-eyes","status":"publish","type":"post","link":"https:\/\/likapk.com\/cs\/post-human-aesthetics-designing-beauty-for-non-human-eyes\/48\/","title":{"rendered":"Posthum\u00e1nn\u00ed estetika: Navrhov\u00e1n\u00ed kr\u00e1sy pro nelidsk\u00e9 o\u010di"},"content":{"rendered":"

Ve sv\u011bt\u011b, kter\u00fd st\u00e1le v\u00edce sd\u00edlej\u00ed stroje, um\u011bl\u00e1 inteligence a nelidsk\u00e9 inteligence, se na\u0161e tradi\u010dn\u00ed pojet\u00ed estetiky za\u010d\u00edn\u00e1 roz\u0161i\u0159ovat za sv\u00e9 antropocentrick\u00e9 hranice. Co se stane, kdy\u017e se design p\u0159estane vytv\u00e1\u0159et? pro<\/em> jen lid\u00e9? V\u00edtejte v nov\u011b vznikaj\u00edc\u00ed oblasti posthum\u00e1nn\u00ed estetika<\/strong> \u2014 kde je kr\u00e1sa nov\u011b pojata pro nelidsk\u00e9 o\u010di.<\/p>\n\n\n\n

Nov\u00e1 definice kr\u00e1sy za hranicemi lidsk\u00e9ho pohledu<\/strong><\/h2>\n\n\n\n

Po tis\u00edcilet\u00ed se um\u011bn\u00ed a design zam\u011b\u0159ovaly t\u00e9m\u011b\u0159 v\u00fdhradn\u011b na lidsk\u00e9 vn\u00edm\u00e1n\u00ed. Navrhujeme objekty, prostory a vizu\u00e1ln\u00ed prvky na z\u00e1klad\u011b lidsk\u00fdch smysl\u016f \u2013 toho, co m\u016f\u017eeme vid\u011bt, sly\u0161et, c\u00edtit a emocion\u00e1ln\u011b interpretovat. Um\u011bl\u00e1 inteligence, roboti a syst\u00e9my strojov\u00e9ho vid\u011bn\u00ed v\u0161ak vn\u00edmaj\u00ed sv\u011bt zcela odli\u0161n\u011b. Zpracov\u00e1vaj\u00ed infra\u010derven\u00e9 spektrum, \u010dtou pixelov\u00e9 vzory, kter\u00fdch si nev\u0161\u00edm\u00e1me, a up\u0159ednost\u0148uj\u00ed funkci p\u0159ed formou zp\u016fsoby, kter\u00e9 zpochyb\u0148uj\u00ed na\u0161e kulturn\u00ed normy.<\/p>\n\n\n\n

Posthum\u00e1nn\u00ed estetika<\/strong> klade odv\u00e1\u017enou ot\u00e1zku:
Jak vypad\u00e1 kr\u00e1sa pro n\u011bco, co nen\u00ed lidsk\u00e9?<\/em><\/p>\n\n\n\n

Strojov\u00e9 vid\u011bn\u00ed a nov\u00e9 vizu\u00e1ln\u00ed jazyky<\/strong><\/h2>\n\n\n\n

Stroje \u201cnevid\u00ed\u201d obrazy tak, jak je vid\u00edme my. Syst\u00e9my po\u010d\u00edta\u010dov\u00e9ho vid\u011bn\u00ed analyzuj\u00ed data: detekci hran, mapy textur, vn\u00edm\u00e1n\u00ed hloubky a algoritmy pro rozpozn\u00e1v\u00e1n\u00ed objekt\u016f. Jejich \u201cestetick\u00e9\u201d preference \u2013 pokud je tak m\u016f\u017eeme nazvat \u2013 mohou up\u0159ednost\u0148ovat symetrii pro snadn\u011bj\u0161\u00ed rozpozn\u00e1n\u00ed, barvy s vysok\u00fdm kontrastem pro segmentaci nebo geometrickou konzistenci pro prostorov\u00e9 mapov\u00e1n\u00ed.<\/p>\n\n\n\n

Design\u00e9\u0159i za\u010d\u00ednaj\u00ed toto zkoumat:<\/p>\n\n\n\n

    \n
  • QR um\u011bn\u00ed<\/strong> a vizu\u00e1ln\u011b optimalizovan\u00e9 \u010d\u00e1rov\u00e9 k\u00f3dy, kter\u00e9 spojuj\u00ed funk\u010dnost se stylizovanou formou.
    <\/li>\n\n\n\n
  • Textury generovan\u00e9 um\u011blou inteligenc\u00ed<\/strong> kter\u00e9 se odvol\u00e1vaj\u00ed na algoritmy pro detekci vzor\u016f.
    <\/li>\n\n\n\n
  • Roz\u0161\u00ed\u0159en\u00e1 prost\u0159ed\u00ed<\/strong> kde jsou objekty re\u00e1ln\u00e9ho sv\u011bta vylep\u0161eny pro robotickou navigaci nebo vn\u00edm\u00e1n\u00ed dron\u016f.
    <\/li>\n<\/ul>\n\n\n\n

    V\u00fdsledkem je paraleln\u00ed vizu\u00e1ln\u00ed sv\u011bt \u2013 neviditeln\u00fd nebo pro n\u00e1s irelevantn\u00ed \u2013 ale intuitivn\u011b kr\u00e1sn\u00e9<\/em> k nelidsk\u00fdm syst\u00e9m\u016fm, kter\u00e9 ji ob\u00fdvaj\u00ed.<\/p>\n\n\n\n

    Zvuk a v\u016fn\u011b v nelidsk\u00fdch pojmech<\/strong><\/h2>\n\n\n\n

    Nejde jen o vizu\u00e1ln\u00ed vjemy. Posthum\u00e1nn\u00ed estetika se m\u016f\u017ee roz\u0161\u00ed\u0159it i na dal\u0161\u00ed smysly:<\/p>\n\n\n\n

      \n
    • Ultrazvukov\u00e9 vzory<\/strong> ur\u010den\u00e9 pro stroje, kter\u00e9 pou\u017e\u00edvaj\u00ed echolokaci nebo sonar.
      <\/li>\n\n\n\n
    • Chemick\u00e9 podpisy<\/strong> zabudovan\u00e9 do materi\u00e1l\u016f pro robotickou detekci pach\u016f.
      <\/li>\n\n\n\n
    • Sonifikace dat<\/strong> kter\u00e1 transformuje datov\u00e9 sady do zvukov\u00fdch krajin srozumiteln\u00fdch jak pro um\u011blou inteligenci, tak pro lidi.
      <\/li>\n<\/ul>\n\n\n\n

      V t\u00e9to oblasti se estetika net\u00fdk\u00e1 pot\u011b\u0161en\u00ed nebo emoc\u00ed, ale efektivity, jasnosti a kompatibility se stroji. To ji v\u0161ak ned\u011bl\u00e1 m\u00e9n\u011b fascinuj\u00edc\u00ed \u2013 ani smysluplnou.<\/p>\n\n\n\n

      Kolaborativn\u00ed kreativita: Lid\u00e9 + nelid\u00e9<\/strong><\/h2>\n\n\n\n

      S generativn\u00ed um\u011blou inteligenc\u00ed, kter\u00e1 je nyn\u00ed schopna vytv\u00e1\u0159et obrazy, hudbu a architekturu, se formuje nov\u00fd druh estetick\u00e9ho dialogu. Um\u011blci a design\u00e9\u0159i za\u010d\u00ednaj\u00ed spoluvytv\u00e1\u0159et s nelidsk\u00fdmi agenty a nech\u00e1vaj\u00ed stroje v\u00e9st rozhodnut\u00ed zalo\u017een\u00e1 nikoli na lidsk\u00e9m vkusu, ale na algoritmick\u00e9 interpretaci.<\/p>\n\n\n\n

      Mezi p\u0159\u00edklady pat\u0159\u00ed:<\/p>\n\n\n\n

        \n
      • Muzejn\u00ed v\u00fdstavy kurovan\u00e9 um\u011blou inteligenc\u00ed na z\u00e1klad\u011b vzorc\u016f neuronov\u00fdch s\u00edt\u00ed.
        <\/li>\n\n\n\n
      • Budovy tvarovan\u00e9 simulacemi v\u011btru a robotickou optimalizac\u00ed.
        <\/li>\n\n\n\n
      • Nositeln\u00e1 elektronika ur\u010den\u00e1 jak pro lidsk\u00e9 u\u017eivatele, tak pro jejich doprovodn\u00e1 za\u0159\u00edzen\u00ed (jako jsou drony nebo chyt\u0159\u00ed asistenti).
        <\/li>\n<\/ul>\n\n\n\n

        Tato f\u00faze organick\u00e9 a syntetick\u00e9 estetiky p\u0159edstavuje za\u010d\u00e1tek skute\u010dn\u011b kultura posthum\u00e1nn\u00edho designu<\/strong>.<\/p>\n\n\n\n

        Etika a pohled cizince<\/strong><\/h2>\n\n\n\n

        Navrhov\u00e1n\u00ed pro nelidsk\u00e9 vn\u00edm\u00e1n\u00ed vyvol\u00e1v\u00e1 i etick\u00e9 ot\u00e1zky. Pokud za\u010dneme optimalizovat prost\u0159ed\u00ed pro stroje, riskujeme odcizen\u00ed sami sob\u011b? Stanou se m\u011bsta \u010diteln\u011bj\u0161\u00edmi pro autonomn\u00ed vozidla ne\u017e pro chodce? Budou digit\u00e1ln\u00ed syst\u00e9my preferovat design, kter\u00fd lid\u00e9 pova\u017euj\u00ed za znepokojiv\u00fd nebo bezv\u00fdznamn\u00fd?<\/p>\n\n\n\n

        Posthum\u00e1nn\u00ed estetika n\u00e1s zve k v\u00e1hy<\/strong>: vytv\u00e1\u0159et kr\u00e1su, kter\u00e1 propojuje lidsk\u00e9 a nelidsk\u00e9 ch\u00e1p\u00e1n\u00ed, sp\u00ed\u0161e ne\u017e aby jedno nahrazovala druh\u00fdm.<\/p>\n\n\n\n

        Z\u00e1v\u011br: Za zrcadlem<\/strong><\/h2>\n\n\n\n

        Posthum\u00e1nn\u00ed estetika se net\u00fdk\u00e1 jen podivn\u00e9ho um\u011bn\u00ed nebo robotick\u00fdch preferenc\u00ed. Je to hlubok\u00fd posun v tom, jak p\u0159em\u00fd\u0161l\u00edme o vn\u00edm\u00e1n\u00ed, inteligenci a samotn\u00e9 kr\u00e1se. S t\u00edm, jak na\u0161e v\u00fdtvory z\u00edsk\u00e1vaj\u00ed autonomii a samostatnost, mus\u00edme jim tak\u00e9 d\u00e1t prostor v kulturn\u00edm dialogu \u2013 m\u00edsto, kde kr\u00e1sa nen\u00ed jen v oku... pozorovatel<\/em>, ale v k\u00f3du pozorovatele.<\/p>","protected":false},"excerpt":{"rendered":"

        In a world increasingly shared with machines, AI, and non-human intelligences, our traditional concept of aesthetics is beginning to stretch […]<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2],"tags":[],"class_list":["post-48","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"_links":{"self":[{"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/posts\/48","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/comments?post=48"}],"version-history":[{"count":1,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/posts\/48\/revisions"}],"predecessor-version":[{"id":50,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/posts\/48\/revisions\/50"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/media?parent=48"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/categories?post=48"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/likapk.com\/cs\/wp-json\/wp\/v2\/tags?post=48"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}